1 00:00:01,084 --> 00:00:02,210 Man on TV: KILLER TWINS-- 2 00:00:02,210 --> 00:00:03,337 THAT'S THE BREAKING NEWS TODAY... 3 00:00:03,337 --> 00:00:04,379 YOU GUYS HAVE BEEN MADE. 4 00:00:04,379 --> 00:00:05,714 Mark: IT WAS INEVITABLE. 5 00:00:05,714 --> 00:00:07,466 Ryan: WHAT TRAIN IS THAT? Mike: EXPRESS TRAIN. 6 00:00:07,466 --> 00:00:08,717 WHY DIDN'T SHE GET ON IT? LILY'S LYING. SHE'S IN ON IT. 7 00:00:08,717 --> 00:00:09,760 Max: WHY WAS SHE TARGETING YOU? 8 00:00:09,760 --> 00:00:11,010 TO LURE HIM OUT. 9 00:00:11,010 --> 00:00:12,471 WELL, IF THAT'S WHAT'S HAPPENING, 10 00:00:12,471 --> 00:00:13,848 THEN YOU NEED TO PROVE IT. HOW CAN I HELP? 11 00:00:13,848 --> 00:00:15,223 YOU DON'T EVEN BELIEVE JOE IS ALIVE. 12 00:00:15,223 --> 00:00:16,475 I'M SKEPTICAL THERE'S A DIFFERENCE. 13 00:00:16,475 --> 00:00:17,935 SOMEONE'S REACHED OUT TO ME. 14 00:00:17,935 --> 00:00:19,478 A FOLLOWER? 15 00:00:19,478 --> 00:00:21,522 I NEED TO KNOW IF IT'S SAFE FOR ME TO ANSWER. 16 00:00:21,522 --> 00:00:23,064 Mark: WHERE'S GISELLE? 17 00:00:23,064 --> 00:00:25,233 Lily: SHE'S BACK IN TOWN TAKING CARE OF DAVID. 18 00:00:25,233 --> 00:00:26,527 YOU FIND ANYTHING? 19 00:00:26,527 --> 00:00:30,447 DAVID ROLAND AT 92nd AND YORK. BE CAREFUL. 20 00:00:30,447 --> 00:00:32,574 Mike: YOU'RE INTERFERING WITH A FEDERAL INVESTIGATION. 21 00:00:32,574 --> 00:00:35,118 YOU THINK YOU'RE HELPING YOUR UNCLE, BUT YOU'RE HURTING HIM. 22 00:00:35,118 --> 00:00:37,078 I WANT US TO BE FRIENDS. 23 00:00:37,078 --> 00:00:39,080 BECAUSE WHEN JOE CALLS, YOU WANT ME TO TELL HIM THAT IT'S SAFE HERE. 24 00:00:39,080 --> 00:00:40,791 I WANT YOU TO TELL HIM THE TRUTH. 25 00:00:44,252 --> 00:00:45,253 Emma: HELLO? 26 00:00:45,253 --> 00:00:46,588 EMMA? 27 00:00:46,588 --> 00:00:49,508 IS IT SAFE? 28 00:00:49,508 --> 00:00:51,259 IT'S SAFE. 29 00:00:51,259 --> 00:00:53,261 Max: SHE'S LEAVING. WAITING FOR A TRAIN, RYAN. 30 00:00:53,261 --> 00:00:54,847 DO NOT FOLLOW HER! 31 00:00:56,473 --> 00:00:58,183 YOU GO LEFT, I'LL GO RIGHT. 32 00:01:02,103 --> 00:01:03,397 UNH! 33 00:01:05,357 --> 00:01:07,401 MAX, WHERE ARE YOU? I'VE BEEN LOOKING ALL OVER FOR YOU. 34 00:01:07,401 --> 00:01:08,569 I'M ON THE TRAIN. 35 00:01:08,569 --> 00:01:10,070 YOU'RE WHAT? 36 00:01:10,070 --> 00:01:12,197 I'M ON THE TRAIN. I HAVE HER IN SIGHT. 37 00:01:15,576 --> 00:01:17,494 HOW COULD YOU? HOW COULD YOU? 38 00:01:17,494 --> 00:01:18,662 I'M BACK. 39 00:01:28,463 --> 00:01:31,508 Man: ♪ ISN'T IT ROMANTIC? ♪ 40 00:01:31,508 --> 00:01:33,552 ♪ MUSIC IN THE NIGHT ♪ 41 00:01:33,552 --> 00:01:36,680 ♪ A DREAM THAT CAN BE HEARD ♪ 42 00:01:36,680 --> 00:01:39,641 ♪ ISN'T IT ROMANTIC? ♪ 43 00:01:39,641 --> 00:01:45,606 ♪ MOVING SHADOWS WRITE THE OLDEST MAGIC WORD ♪ 44 00:01:45,606 --> 00:01:48,275 ♪ I ♪ 45 00:01:48,275 --> 00:01:50,527 ♪ HEAR THE BREEZES PLAYING ♪ 46 00:01:50,527 --> 00:01:54,907 ♪ IN THE TREES ABOVE ♪ 47 00:01:54,907 --> 00:01:58,577 ♪ WHILE ALL THE WORLD IS SAYING ♪ 48 00:01:58,577 --> 00:02:01,455 ♪ "YOU WERE MEANT FOR LOVE" ♪ 49 00:02:01,455 --> 00:02:04,499 ♪ ISN'T IT ROMANTIC ♪ 50 00:02:04,499 --> 00:02:10,213 ♪ MERELY TO BE YOUNG ON SUCH A NIGHT AS THIS? ♪ 51 00:02:10,213 --> 00:02:13,050 ♪ ISN'T IT ROMANTIC? ♪ 52 00:02:13,050 --> 00:02:14,635 ♪ EVERY NOTE THAT'S SUNG ♪ 53 00:02:14,635 --> 00:02:20,015 ♪ IS LIKE A LOVER'S KISS ♪ 54 00:02:20,015 --> 00:02:24,269 ♪ SWEET SYMBOLS IN THE MOONLIGHT... ♪ 55 00:02:24,269 --> 00:02:26,021 YOU CLEAN UP WELL. 56 00:02:26,021 --> 00:02:29,650 SO YOU APPROVE? 57 00:02:29,650 --> 00:02:32,152 VERY MUCH SO. 58 00:02:32,152 --> 00:02:34,404 ♪ ISN'T IT ROMANTIC? ♪ 59 00:02:34,404 --> 00:02:38,325 SO WHO ARE YOU, LILY GRAY? 60 00:02:38,325 --> 00:02:40,744 I'M A WOMAN WHO'S BEEN WAITING FOR THIS MOMENT 61 00:02:40,744 --> 00:02:44,706 FOR...A VERY LONG TIME. 62 00:02:46,374 --> 00:02:48,209 CHEERS. 63 00:02:48,209 --> 00:02:53,090 ♪ I WILL FALL IN LOVE BY CHANCE ♪ 64 00:02:53,090 --> 00:02:57,427 ♪ ISN'T IT ROMANTIC? ♪ 65 00:02:57,427 --> 00:03:00,055 ♪ ISN'T IT ROMANTIC? ♪ 66 00:03:20,325 --> 00:03:21,284 MAX. 67 00:03:21,284 --> 00:03:22,786 SHE'S GETTING OFF. 68 00:03:25,497 --> 00:03:26,999 I'M AT STRATFORD. WHERE ARE YOU? 69 00:03:26,999 --> 00:03:30,002 I'M CLOSE. I CAN'T BE FAR. 70 00:03:30,002 --> 00:03:31,461 SHE'S CALLING SOMEONE. 71 00:03:35,465 --> 00:03:36,591 HELLO? 72 00:04:02,325 --> 00:04:04,703 WAIT. IS HE THERE-- JOE CARROLL? 73 00:04:04,703 --> 00:04:08,123 YES, GISELLE, HE IS HERE. 74 00:04:08,123 --> 00:04:09,332 JUST BE CAREFUL. 75 00:04:09,332 --> 00:04:11,001 YOU'RE MY NUMBER ONE, OK? 76 00:04:11,001 --> 00:04:13,003 I DON'T WANT ANYTHING TO HAPPEN TO YOU. 77 00:04:13,003 --> 00:04:17,132 PROMISE. BYE. 78 00:04:17,132 --> 00:04:18,550 SHE FINISHED HER PHONE CALL. 79 00:04:18,550 --> 00:04:21,970 SHE'S GOING OUT INTO THE STREET. 80 00:04:21,970 --> 00:04:24,723 SHE DISABLED HER PHONE. SHE CAN'T BE TRACED. 81 00:04:24,723 --> 00:04:27,267 I'M 20 MILES MAYBE. DO NOT FOLLOW HER, OK? 82 00:04:27,267 --> 00:04:28,727 STAY RIGHT AT THE STATION, 83 00:04:28,727 --> 00:04:30,311 AND WE'LL FIND HER TOGETHER WHEN I GET THERE. 84 00:04:30,311 --> 00:04:32,189 SHUT UP AND HURRY, OK? MY BATTERY'S DYING. 85 00:04:32,189 --> 00:04:33,481 I'M HANGING UP. 86 00:05:07,599 --> 00:05:10,936 BUT FIRST I WANT TO INTRODUCE YOU TO EVERYONE. 87 00:05:10,936 --> 00:05:12,771 THEY'RE VERY EXCITED TO MEET YOU. 88 00:05:23,157 --> 00:05:24,741 JOE. 89 00:05:29,496 --> 00:05:31,414 JOE, THIS IS RADMILA. 90 00:05:31,414 --> 00:05:32,540 RADMILA. 91 00:05:34,293 --> 00:05:35,627 OH. PRIVYET. 92 00:05:35,627 --> 00:05:38,297 RADMILA AND I MET IN BARNAUL IN SIBERIA, 93 00:05:38,297 --> 00:05:40,174 AND SHE'S BEEN WITH ME EVER SINCE, 94 00:05:40,174 --> 00:05:44,094 AND THESE TWO YOUNG MEN-- SAMI AND JAMEL-- 95 00:05:44,094 --> 00:05:46,513 OUR PATHS CROSSED IN PARIS, 96 00:05:46,513 --> 00:05:48,515 AND YOU CAN CONSIDER THEM YOUR SECURITY TEAM. 97 00:05:48,515 --> 00:05:49,516 OH. 98 00:05:57,398 --> 00:05:58,692 OH. 99 00:06:00,610 --> 00:06:02,821 JOE, THIS IS MY OLDEST SON. 100 00:06:02,821 --> 00:06:05,364 MARK. WE'VE-- WE'VE MET. 101 00:06:05,364 --> 00:06:08,994 NO. IT'S LUKE, MARK'S OLDER BROTHER. 102 00:06:08,994 --> 00:06:10,787 Mark: BY 3 MINUTES. 103 00:06:13,832 --> 00:06:18,086 IT'S NICE TO SEE THE REAL JOE CARROLL, SIR. 104 00:06:18,086 --> 00:06:19,378 TWINS. 105 00:06:19,378 --> 00:06:21,631 INTERESTING. 106 00:06:21,631 --> 00:06:23,175 CAN I HAVE A WORD, MOTHER? 107 00:06:23,175 --> 00:06:25,760 OF COURSE. EXCUSE ME. 108 00:06:27,428 --> 00:06:29,306 YOU LOOK AMAZING! 109 00:06:29,306 --> 00:06:30,431 OH. HEH HEH. 110 00:06:30,431 --> 00:06:32,142 ISN'T THIS PLACE GREAT? 111 00:06:32,142 --> 00:06:33,560 YOUR HOUSE IS AWESOME. 112 00:06:33,560 --> 00:06:35,229 Luke: GISELLE CALLED. ALL'S WELL, 113 00:06:35,229 --> 00:06:36,688 BUT SHE'S IN STRATFORD. IT'S A BIT OF A DRIVE. 114 00:06:36,688 --> 00:06:38,273 I'D LIKE TO LEAVE NOW IF POSSIBLE. 115 00:06:38,273 --> 00:06:40,234 OF COURSE. TAKE JAMEL WITH YOU. 116 00:06:40,234 --> 00:06:42,610 I'D PREFER TO TAKE MARK. 117 00:06:42,610 --> 00:06:46,240 AND I'D PREFER THAT JAMEL ACCOMPANY YOU. 118 00:06:46,240 --> 00:06:47,741 DRIVE SAFELY. 119 00:06:48,950 --> 00:06:51,078 HAVE FUN WITH YOUR NEW BOY TOY. 120 00:06:52,787 --> 00:06:54,622 Lily: ALL RIGHT, EVERYONE. 121 00:06:54,622 --> 00:06:57,167 LET'S NOT OVERWHELM JOE ON HIS FIRST NIGHT HERE. 122 00:06:57,167 --> 00:06:59,460 YOU'LL SEE HIM TOMORROW, HUH? 123 00:06:59,460 --> 00:07:02,130 SO, UH, SAY GOOD NIGHT. 124 00:07:02,130 --> 00:07:03,382 GOOD NIGHT. 125 00:07:03,382 --> 00:07:06,968 OH. SPASIBO. BON NUIT. 126 00:07:06,968 --> 00:07:09,637 ONE LAST DRINK? 127 00:07:09,637 --> 00:07:11,932 HMM. HEH. YES. WHY NOT? 128 00:07:11,932 --> 00:07:14,601 IS IT OK IF I HAVE A MOMENT ALONE WITH JOE? 129 00:07:16,770 --> 00:07:18,397 OF COURSE. 130 00:07:18,397 --> 00:07:21,649 I'M SURE YOU TWO HAVE A LOT OF CATCHING UP TO DO. 131 00:07:21,649 --> 00:07:23,693 SWEETIE, YOU KNOW WHAT? 132 00:07:23,693 --> 00:07:28,156 I'M SO HAPPY YOU GOT RID OF THAT UGLY PINK. 133 00:07:28,156 --> 00:07:30,617 IT'S LOVELY. 134 00:07:30,617 --> 00:07:32,202 GOOD NIGHT, JOE. 135 00:07:32,202 --> 00:07:33,745 GOOD NIGHT. 136 00:07:39,751 --> 00:07:41,378 I LIKE THE BLOND. 137 00:07:55,683 --> 00:07:57,060 WELL? 138 00:08:00,230 --> 00:08:02,649 WHY DID YOU ABANDON ME? 139 00:08:02,649 --> 00:08:06,445 WHY DID YOU LET ME THINK YOU WERE DEAD? 140 00:08:06,445 --> 00:08:09,489 HOW COME I DIDN'T KNOW ABOUT THE BODY SWAP? 141 00:08:09,489 --> 00:08:12,200 I DIDN'T EVEN KNOW YOU HAD A BROTHER. 142 00:08:12,200 --> 00:08:13,493 YOU KNOW THE RULES. 143 00:08:13,493 --> 00:08:15,162 EVERYONE PLAYS THEIR PART. 144 00:08:15,162 --> 00:08:17,956 NO ONE PERSON KNOWS IT ALL. 145 00:08:17,956 --> 00:08:20,541 IF EVERYONE KNEW THAT I HAD A DNA MATCH-- 146 00:08:20,541 --> 00:08:23,378 I AM NOT EVERYONE. 147 00:08:25,672 --> 00:08:29,009 NO. NO, YOU'RE NOT. 148 00:08:29,009 --> 00:08:32,679 WHY DIDN'T YOU TRY TO FIND ME? 149 00:08:32,679 --> 00:08:35,640 I FAILED YOU, MYSELF. 150 00:08:35,640 --> 00:08:39,102 FAILED EVERYONE. 151 00:08:39,102 --> 00:08:42,189 FORGIVE ME, HMM? 152 00:08:42,189 --> 00:08:44,649 I WOULD HAVE DONE ANYTHING FOR YOU... 153 00:08:46,234 --> 00:08:50,447 AND YOU LEFT ME ALL ALONE. 154 00:08:58,538 --> 00:09:01,416 Lawrence: A VIRUS WAS DOWNLOADED ONTO ROLAND'S LAPTOP, 155 00:09:01,416 --> 00:09:03,335 DESTROYED EVERYTHING. 156 00:09:03,335 --> 00:09:04,752 FORENSICS IS STILL ON IT, 157 00:09:04,752 --> 00:09:06,213 BUT OUTLOOK IS GRIM. 158 00:09:06,213 --> 00:09:08,131 Mendez: HOPKINS, NYPD JUST SENT OVER SOME 159 00:09:08,131 --> 00:09:09,590 SURVEILLANCE FOOTAGE OF AN INCIDENT 160 00:09:09,590 --> 00:09:10,758 THAT HAPPENED OVER AT GRAND CENTRAL. 161 00:09:10,758 --> 00:09:12,969 PULL IT UP. 162 00:09:12,969 --> 00:09:14,137 Mike: IT'S RYAN. WHO'S THE WOMAN? 163 00:09:14,137 --> 00:09:15,222 IS THAT OUR SUSPECT? 164 00:09:15,222 --> 00:09:17,182 CAN YOU GET FACIAL RECOGNITION? 165 00:09:17,182 --> 00:09:18,975 Hopkins: NO. IT'S TOO DIRTY. 166 00:09:18,975 --> 00:09:19,976 WHAT TRAIN IS IT? 167 00:09:19,976 --> 00:09:21,186 NEW HAVEN LINE. 168 00:09:21,186 --> 00:09:22,521 IT GOES THROUGH CONNECTICUT. 169 00:09:22,521 --> 00:09:25,232 35 STOPS WITH A SWITCH IN STAMFORD. 170 00:09:25,232 --> 00:09:26,400 IS THERE CCTV? 171 00:09:26,400 --> 00:09:27,650 NOT ON METRO NORTH. I MIGHT GET LUCKY 172 00:09:27,650 --> 00:09:28,776 AT THE STATIONS, BUT I NEED SOME TIME. 173 00:09:28,776 --> 00:09:30,195 HEY. REWIND. 174 00:09:30,195 --> 00:09:31,571 THERE'S SOMEBODY ELSE. GO BACK. 175 00:09:31,571 --> 00:09:32,655 RIGHT--RIGHT-- STOP THERE. 176 00:09:32,655 --> 00:09:34,199 CROP AND ZOOM IN. 177 00:09:36,910 --> 00:09:39,246 IT'S RYAN'S NIECE MAX. 178 00:09:39,246 --> 00:09:40,705 SHE GOT ON THE TRAIN. 179 00:09:40,705 --> 00:09:42,541 HARDY WAS TRYING TO FOLLOW THAT GIRL. 180 00:09:42,541 --> 00:09:45,252 CHECK HIS CREDIT CARDS, AND WHEN WAS THE LAST TIME WE SAW HIM? 181 00:09:45,252 --> 00:09:47,546 HE LOST HIS DETAIL TWO HOURS AGO. 182 00:09:47,546 --> 00:09:50,257 NOW HE'S USING DISPOSABLE PHONES. 183 00:09:50,257 --> 00:09:51,716 ALL RIGHT, PEOPLE. LISTEN UP. 184 00:09:51,716 --> 00:09:53,260 WE NEED TO EXPAND OUR SEARCH TO INCLUDE 185 00:09:53,260 --> 00:09:55,595 UPSTATE CONNECTICUT AND RHODE ISLAND. 186 00:09:55,595 --> 00:09:58,432 IF THEY SWITCHED TRAINS IN STAMFORD, 187 00:09:58,432 --> 00:10:00,100 THEY COULD BE ANYWHERE, SO WE NEED TO CONTACT 188 00:10:00,100 --> 00:10:03,520 LOCAL LAW AGENCIES AT ALL 35 STOPS. 189 00:10:15,574 --> 00:10:16,991 I'M HERE. WHERE ARE YOU? 190 00:10:16,991 --> 00:10:18,118 ONE BLOCK SOUTH. 191 00:10:18,118 --> 00:10:19,660 WHAT'S HAPPENING? 192 00:10:19,660 --> 00:10:21,246 SHE'S STILL WALKING. HOW DO YOU WANT TO HANDLE THIS? 193 00:10:21,246 --> 00:10:22,830 WE'LL FIGURE IT OUT. I'LL BE RIGHT WITH YOU. 194 00:10:32,257 --> 00:10:35,635 DON'T MOVE, OR I'LL SHOOT YOU RIGHT IN THE LEG. 195 00:10:35,635 --> 00:10:37,095 JE NE PARLE PAS ANGLAIS. 196 00:10:37,095 --> 00:10:40,181 I THINK YOU UNDERSTAND ENGLISH JUST FINE. 197 00:10:40,181 --> 00:10:42,225 NOW COME WITH ME. 198 00:10:42,225 --> 00:10:45,437 SHOOT ME. SHOOT ME. 199 00:10:45,437 --> 00:10:47,230 WHAT DO I HAVE TO LOSE? 200 00:10:50,525 --> 00:10:51,776 OH, THAT HURT! OHH! 201 00:10:51,776 --> 00:10:53,361 OH, BUT IT FELT SO GOOD! 202 00:10:53,361 --> 00:10:55,530 LET'S MOVE HER BEFORE SOMEBODY SEES US. 203 00:11:01,119 --> 00:11:02,162 MORNING. 204 00:11:02,162 --> 00:11:03,288 MORNING. 205 00:11:03,288 --> 00:11:04,539 WHAT'S THIS? 206 00:11:04,539 --> 00:11:06,124 IT WAS FLAGGED BY OUR CARROLL ALERT. 207 00:11:06,124 --> 00:11:07,501 A MURDER VICTIM FOUND IN ARKANSAS, 208 00:11:07,501 --> 00:11:09,336 A LOCAL PROSTITUTE WHO WAS PEN PALS 209 00:11:09,336 --> 00:11:10,629 WITH CARROLL WHILE IN PRISON. 210 00:11:10,629 --> 00:11:12,088 YEAH. I REMEMBER HER. SHE WAS ON THE LIST. 211 00:11:12,088 --> 00:11:13,256 SHE WAS INTERVIEWED AND CLEARED. 212 00:11:13,256 --> 00:11:14,257 DO WE HAVE A SUSPECT? 213 00:11:14,257 --> 00:11:15,674 REVEREND GLEN DAVIS. 214 00:11:15,674 --> 00:11:17,636 HE AND HIS VEHICLE HAVEN'T BEEN SEEN SINCE. 215 00:11:17,636 --> 00:11:19,554 ALSO THE WOMAN'S DAUGHTER IS MISSING. 216 00:11:19,554 --> 00:11:20,763 ALL RIGHT. KEEP MONITORING IT. 217 00:11:20,763 --> 00:11:22,182 IF YOU GET SOMETHING, TELL ME. 218 00:11:27,646 --> 00:11:29,022 UNH! 219 00:11:30,231 --> 00:11:32,817 MORNING, SUNSHINE. 220 00:11:32,817 --> 00:11:35,529 DON'T BOTHER. EVERYTHING'S NAILED DOWN IN THIS PLACE. 221 00:11:35,529 --> 00:11:37,656 HOE YOU'RE NOT TOO UNCOMFORTABLE, 222 00:11:37,656 --> 00:11:39,032 BUT YOU KIND OF DESERVE IT. 223 00:11:39,032 --> 00:11:40,659 LET'S CUT TO THE CHASE. 224 00:11:40,659 --> 00:11:43,370 WHERE'S LILY GRAY? HMM? 225 00:11:43,370 --> 00:11:46,831 SEE, MY UNCLE HERE THINKS FIND LILY GRAY, 226 00:11:46,831 --> 00:11:48,458 HE'LL FIND JOE CARROLL. 227 00:11:49,834 --> 00:11:51,378 JE NE COMPRENDS PAS. 228 00:11:51,378 --> 00:11:52,962 WHAT? HUH? 229 00:11:52,962 --> 00:11:54,631 PLEASE. NO ONE IS BUYING THE "JE COMPRENDS. 230 00:11:54,631 --> 00:11:56,675 I DON'T SPEAK ENGLISH" ROUTINE. 231 00:11:58,092 --> 00:12:01,179 HELLO. 232 00:12:01,179 --> 00:12:04,098 YOU COME PREPARED. 233 00:12:04,098 --> 00:12:07,101 SO WHAT DO YOU THINK IS GONNA HAPPEN HERE? 234 00:12:13,107 --> 00:12:14,984 Man on TV: LILY GRAY KILLED TWO FEDERAL AGENTS 235 00:12:14,984 --> 00:12:17,612 AT HER SoHo ART GALLERY-- 236 00:12:17,612 --> 00:12:19,738 SEE THAT? LILY IS THE HEADLINE 237 00:12:19,738 --> 00:12:22,116 ON EVERY SINGLE NEWS CHANNEL, 238 00:12:22,116 --> 00:12:23,618 AND SOON WE ARE GONNA KNOW EVERYTHING 239 00:12:23,618 --> 00:12:25,870 THERE IS TO KNOW ABOUT YOU AND HER 240 00:12:25,870 --> 00:12:27,163 AND THE PSYCHO TWINS, 241 00:12:27,163 --> 00:12:28,747 AND THIS IS ALL GONNA END, 242 00:12:28,747 --> 00:12:31,876 BUT THAT DOESN'T HAVE TO HAPPEN IF YOU TALK TO ME. 243 00:12:36,256 --> 00:12:37,840 MAYBE YOU CAN HELP ME WITH THIS LITTLE DILEMMA 244 00:12:37,840 --> 00:12:39,676 THAT I'M HAVING HERE. 245 00:12:39,676 --> 00:12:43,054 MAX HERE, SHE'S A DO-GOODER. 246 00:12:43,054 --> 00:12:45,764 SHE WANTS TO DO THE RIGHT THING. 247 00:12:45,764 --> 00:12:48,184 ME--I'M NOT INTERESTED IN THE RIGHT THING. 248 00:12:48,184 --> 00:12:51,187 I'M INTERESTED IN ONE THING-- 249 00:12:51,187 --> 00:12:55,816 NOT YOU, NOT LILY, NOT THE TWINS. 250 00:12:55,816 --> 00:13:00,196 JOE CARROLL. YOU UNDERSTAND? 251 00:13:00,196 --> 00:13:04,992 JOE CARROLL KILLED SOMEONE VERY DEAR TO ME, 252 00:13:04,992 --> 00:13:08,371 AND WHAT I WANT IS SIMPLE. 253 00:13:08,371 --> 00:13:10,624 I WANT TO KILL JOE CARROLL. 254 00:13:35,774 --> 00:13:40,236 I'M ASHAMED FOR WHAT I DID TO YOU. 255 00:13:40,236 --> 00:13:41,738 MY ACTIONS WERE SELFISH. 256 00:13:41,738 --> 00:13:43,197 IN FACT, EVERYTHING I DID IN HAVENPORT 257 00:13:43,197 --> 00:13:47,327 WAS WRONG AND SELFISH 258 00:13:47,327 --> 00:13:49,746 I AM SO VERY SORRY. 259 00:13:52,666 --> 00:13:54,751 WHEN I LOST YOU... 260 00:13:57,420 --> 00:14:01,215 I CONTACTED ANYONE I COULD I FIND. 261 00:14:01,215 --> 00:14:04,051 THE FBI WAS HUNTING US, WE HAD TO HIDE. 262 00:14:04,051 --> 00:14:05,804 WE LIVED IN A RAT HOLE, 263 00:14:05,804 --> 00:14:08,264 FRIGHTENED TO GO OUTSIDE. 264 00:14:08,264 --> 00:14:10,475 SO THERE ARE OTHERS STILL OUT THERE? 265 00:14:10,475 --> 00:14:15,814 NO. THEY'RE ALL DEAD OR LOCKED UP. 266 00:14:15,814 --> 00:14:17,774 THERE'S JUST ME. 267 00:14:19,651 --> 00:14:23,029 IT'S YOU AND ME. 268 00:14:23,029 --> 00:14:25,239 WE'RE HERE... 269 00:14:25,239 --> 00:14:28,201 TOGETHER. 270 00:14:28,201 --> 00:14:30,453 LILY WENT TO A GREAT DEAL OF TROUBLE TO FIND ME. 271 00:14:30,453 --> 00:14:35,916 SHE--SHE CAN'T MEAN US HARM. 272 00:14:35,916 --> 00:14:39,003 THEY'RE CRAZY. 273 00:14:39,003 --> 00:14:41,005 HAVE YOU NOT NOTICED 274 00:14:41,005 --> 00:14:46,052 THEY ARE ALL CRAZY? 275 00:14:46,052 --> 00:14:49,514 I KNOW I HAVE NO RIGHT TO ASK FOR ANOTHER CHANCE. 276 00:14:49,514 --> 00:14:55,311 NOW PLEASE, EMMA, I HAVE A PLAN. 277 00:14:55,311 --> 00:14:57,772 I KNOW A WAY WE CAN START OVER. 278 00:15:08,199 --> 00:15:11,369 JOE SEEMS COOL. 279 00:15:11,369 --> 00:15:15,540 HEH. I HAVEN'T SPENT 5 MINUTES ALONE WITH HIM. 280 00:15:15,540 --> 00:15:18,418 CERTAINLY COULD DO WITHOUT THAT EMMA LURKING ABOUT. 281 00:15:18,418 --> 00:15:21,713 DON'T BE MEAN. I LIKE HER. 282 00:15:25,007 --> 00:15:27,719 YOU HAVE SUCH A BIG HEART, DEAR. 283 00:15:27,719 --> 00:15:32,014 YOU LIKE EVERYONE. 284 00:15:32,014 --> 00:15:37,228 GIVE HER A CHANCE. PLEASE. 285 00:15:37,228 --> 00:15:40,815 FOR YOU, OF COURSE. 286 00:15:40,815 --> 00:15:41,982 TELL YOU WHAT. 287 00:15:41,982 --> 00:15:44,318 WHY DON'T YOU DO ME A FAVOR 288 00:15:44,318 --> 00:15:45,986 AND OCCUPY HER? 289 00:15:45,986 --> 00:15:50,408 I WANT TO SPEND SOME TIME WITH JOE WITHOUT INTERRUPTION. 290 00:15:50,408 --> 00:15:54,161 WILL YOU DO THAT FOR YOUR MOM? 291 00:15:54,161 --> 00:15:55,538 SURE. 292 00:16:01,252 --> 00:16:03,379 Ryan: I KNOW WHAT LILY IS DOING. 293 00:16:03,379 --> 00:16:04,714 SHE'S COMPLETING A FAMILY. 294 00:16:04,714 --> 00:16:06,090 IT WAS OBVIOUS IN THE TWINS' MOVES, 295 00:16:06,090 --> 00:16:07,341 BUT HERE'S THE THING. 296 00:16:07,341 --> 00:16:10,470 JOE--HE'S NOT A FAMILY GUY. 297 00:16:10,470 --> 00:16:12,555 DO YOU KNOW WHAT HE DID TO THE LAST WOMAN 298 00:16:12,555 --> 00:16:14,432 THAT HE TRULY LOVED? 299 00:16:14,432 --> 00:16:16,183 HE HAD HER KILLED. 300 00:16:16,183 --> 00:16:20,020 HE ABANDONED HIS FOLLOWERS TO BE PICKED OFF ONE BY ONE. 301 00:16:20,020 --> 00:16:22,398 RYAN, SHE'S NOT GONNA COOPERATE. 302 00:16:28,613 --> 00:16:31,365 JOE'S GONNA KILL YOU AND LILY 303 00:16:31,365 --> 00:16:33,534 AND EVERYONE ELSE THAT YOU CARE ABOUT. 304 00:16:33,534 --> 00:16:35,787 LET'S NOT WORRY ABOUT THAT NOW. 305 00:16:35,787 --> 00:16:37,747 I'M GONNA MAKE A DEAL WITH YOU. 306 00:16:37,747 --> 00:16:40,458 LILY AND HER LITTLE CLAN 307 00:16:40,458 --> 00:16:42,710 CAN RIDE OFF INTO THE SUNSET SCOTT FREE 308 00:16:42,710 --> 00:16:46,046 I DON'T WANT THEM. 309 00:16:46,046 --> 00:16:49,759 I WANT JOE. 310 00:16:49,759 --> 00:16:53,763 I WANT TO DRIVE AN ICE PICK THROUGH IS BRAIN, 311 00:16:53,763 --> 00:16:55,932 BUT IF YOU DON'T COOPERATE WITH ME, 312 00:16:55,932 --> 00:16:59,853 MAX HERE IS GONNA MAKE ONE PHONE CALL, 313 00:16:59,853 --> 00:17:04,774 AND THE FBI IS GOING TO EXPLODE INTO THIS TOWN. 314 00:17:04,774 --> 00:17:07,443 IS THAT WHAT YOU WANT? 315 00:17:07,443 --> 00:17:08,569 BECAUSE... 316 00:17:11,531 --> 00:17:13,950 SOMETHING TELLS ME... 317 00:17:13,950 --> 00:17:16,536 THAT HOME, SWEET, HOME 318 00:17:16,536 --> 00:17:18,538 IS VERY CLOSE BY. 319 00:17:22,082 --> 00:17:23,751 AM I RIGHT? 320 00:17:33,887 --> 00:17:35,346 ALL RIGHT. THAT'S IT. 321 00:17:35,346 --> 00:17:38,057 I'M CALLING IT IN. 322 00:17:40,267 --> 00:17:42,436 RYAN, THAT'S ENOUGH! GET OFF OF HER! 323 00:17:42,436 --> 00:17:43,855 GET OFF OF HER, RYAN! 324 00:17:43,855 --> 00:17:45,773 ENOUGH, RYAN! GET OFF OF HER! 325 00:17:45,773 --> 00:17:47,942 STOP IT! RYAN! 326 00:17:47,942 --> 00:17:49,193 RYAN, YOU PROMISED ME! 327 00:17:49,193 --> 00:17:50,361 STOP IT! 328 00:17:50,361 --> 00:17:53,823 RYAN, YOU PROMISED ME! 329 00:17:53,823 --> 00:17:55,700 OHH! 330 00:18:04,959 --> 00:18:07,211 YES. THIS IS DETECTIVE MAX HARDY. 331 00:18:07,211 --> 00:18:09,505 WAIT. OK, OK. 332 00:18:09,505 --> 00:18:12,091 I'LL MAKE A DEAL WITH YOU. 333 00:18:12,091 --> 00:18:14,928 I'LL TELL YOU WHERE THEY ARE. 334 00:18:14,928 --> 00:18:18,180 THEY'RE AT THE FACTORY ON BONE'S ROAD. 335 00:18:18,180 --> 00:18:21,225 GOOD PERFORMANCE. YOU HAD ME SCARED FOR A MINUTE. 336 00:18:21,225 --> 00:18:22,518 HAD TO MAKE IT CONVINCING. 337 00:18:22,518 --> 00:18:24,311 YOU WEREN'T BAD YOURSELF. 338 00:18:24,311 --> 00:18:25,730 YOU THINK SHE FELL FOR IT? 339 00:18:25,730 --> 00:18:26,940 SHE'S TWITCHY. 340 00:18:26,940 --> 00:18:28,649 SHE DOESN'T WANT THE FBI HERE. 341 00:18:28,649 --> 00:18:30,026 WE'RE CLOSE. 342 00:18:30,026 --> 00:18:31,485 YEAH, BUT A FACTORY ON BONE'S ROAD? 343 00:18:31,485 --> 00:18:32,820 I'M JUST NOT BUYING IT. IT'S TOO EASY. 344 00:18:32,820 --> 00:18:34,238 DO YOU REALLY THINK LILY'S THERE? 345 00:18:34,238 --> 00:18:35,782 SOMEBODY WILL BE. 346 00:18:35,782 --> 00:18:36,991 I'M GONNA SCOPE IT OUT. 347 00:18:36,991 --> 00:18:38,451 HEY. YOU COULD BE AMBUSHED. 348 00:18:38,451 --> 00:18:40,536 WHICH IS WHY I NEED YOU TO STAY HERE WITH HER. 349 00:18:40,536 --> 00:18:42,120 NO. I'M GONNA GO WITH YOU. 350 00:18:42,120 --> 00:18:46,250 UH-UH. SHE'S THE ONLY LEVERAGE I HAVE, OK? 351 00:18:49,754 --> 00:18:52,423 SHE DIDN'T DENY JOE CARROLL WAS ALIVE. 352 00:19:11,525 --> 00:19:12,986 WHERE ARE WE GOING? 353 00:19:12,986 --> 00:19:16,114 YOU'LL SEE. 354 00:19:16,114 --> 00:19:18,908 WHERE'S YOUR WORSE HALF? 355 00:19:18,908 --> 00:19:23,079 OH. LUKE? HE'S PICKING UP GISELLE. 356 00:19:23,079 --> 00:19:24,747 ARE THEY AN ITEM? 357 00:19:24,747 --> 00:19:26,582 NO. JUST CLOSE. 358 00:19:43,683 --> 00:19:46,686 THIS IS MY MOTHER'S STUDIO. 359 00:19:46,686 --> 00:19:49,022 I THOUGHT YOU'D LIKE TO SEE IT. 360 00:19:51,107 --> 00:19:54,902 BUT YOUR MOTHER IS AN ART DEALER. 361 00:19:54,902 --> 00:19:58,072 TRUE, BUT... 362 00:19:58,072 --> 00:20:00,867 I KNOW YOU'RE AN ARTIST. 363 00:20:00,867 --> 00:20:02,660 I READ ABOUT YOU IN THAT BOOK, 364 00:20:02,660 --> 00:20:04,871 "THE HAVENPORT TRAGEDY." 365 00:20:08,749 --> 00:20:13,253 HOW COME YOU NEVER WENT TO ART SCHOOL? 366 00:20:13,253 --> 00:20:16,716 MY MOTHER. 367 00:20:16,716 --> 00:20:18,634 THAT'S SAD. 368 00:20:22,596 --> 00:20:24,431 OH. COME ON. 369 00:20:26,767 --> 00:20:28,394 LET'S CREATE! 370 00:20:28,394 --> 00:20:30,604 COME ON! IT WILL BE FUN! 371 00:20:34,650 --> 00:20:36,777 Carroll: SO, UH... 372 00:20:36,777 --> 00:20:40,781 WHY WERE YOU PLAYING THE VICTIM ON THE SUBWAY? 373 00:20:40,781 --> 00:20:43,367 TO MEET RYAN HARDY. 374 00:20:43,367 --> 00:20:46,245 I WANTED TO GET CLOSE TO THE MAN 375 00:20:46,245 --> 00:20:49,582 WITH WHOM I SHARE AN OBSESSION. 376 00:20:52,960 --> 00:20:54,754 HMM. 377 00:20:54,754 --> 00:20:57,339 AND HOW IS, UH... 378 00:20:57,339 --> 00:20:59,967 RYAN? 379 00:20:59,967 --> 00:21:01,928 STILL OBSESSED. 380 00:21:05,431 --> 00:21:09,977 WHAT IS IT YOU WANT FROM ME, LILY? 381 00:21:09,977 --> 00:21:12,521 THERE'S SOMETHING I WANT TO SHOW YOU. 382 00:22:47,449 --> 00:22:48,868 YOU NEED SERVICE? 383 00:22:48,868 --> 00:22:50,870 UH, NO--NO, THANK YOU. 384 00:22:50,870 --> 00:22:51,912 I CAN COME BACK LATER. 385 00:22:51,912 --> 00:22:52,913 NO. 386 00:22:59,795 --> 00:23:00,963 EVERYTHING OK? 387 00:23:00,963 --> 00:23:04,466 WE'RE GOOD. THANKS. 388 00:23:04,466 --> 00:23:06,719 HEY. NICE TRY. 389 00:23:45,758 --> 00:23:47,634 GISELLE? 390 00:23:59,646 --> 00:24:02,024 DON'T MOVE! DROP THE GUN. 391 00:24:02,024 --> 00:24:03,776 DROP IT. 392 00:24:07,654 --> 00:24:10,408 AAH! AAH! 393 00:24:16,372 --> 00:24:19,041 JAMEL! 394 00:24:20,918 --> 00:24:22,878 RYAN HARDY! RYAN HARDY! 395 00:24:22,878 --> 00:24:25,005 DROP IT! 396 00:24:25,005 --> 00:24:27,216 MR. HARDY, IT'S GOOD TO SEE YOU AGAIN. 397 00:24:27,216 --> 00:24:29,760 DROP THE GUN. 398 00:24:38,560 --> 00:24:40,062 WHERE'S JOE CARROLL? 399 00:24:40,062 --> 00:24:41,105 WHERE'S GISELLE? 400 00:24:41,105 --> 00:24:42,606 WHERE IS JOE? 401 00:24:42,606 --> 00:24:44,066 WHAT IS THE BIG DEAL WITH THAT GUY? 402 00:24:44,066 --> 00:24:46,986 AT WHAT POINT DOES ONE FINALLY JUST LET GO? 403 00:24:46,986 --> 00:24:48,695 MOVE ON, MAN. IT'S TIME. 404 00:24:48,695 --> 00:24:51,198 I'M TRYING TO BE ON MY BEST BEHAVIOR HERE. 405 00:24:53,451 --> 00:24:54,576 Ryan: OHH! 406 00:24:57,955 --> 00:25:00,791 UH, RYAN, YOU STILL ALIVE? 407 00:25:12,761 --> 00:25:13,846 THINK YOU GOT HIM. 408 00:25:55,471 --> 00:25:56,847 HOW'S IT LOOKING? 409 00:25:56,847 --> 00:25:59,099 IT'S FINE. 410 00:25:59,099 --> 00:26:01,519 YOU SURE? I COULD--I COULD DO A DIFFERENT POSE. 411 00:26:01,519 --> 00:26:04,188 I COULD TAKE MY CLOTHES OFF, WHATEVER YOU WANT. 412 00:26:04,188 --> 00:26:05,689 READ YOUR BOOK. 413 00:26:05,689 --> 00:26:07,191 JUST A LITTLE-- A LITTLE PEEK. 414 00:26:07,191 --> 00:26:10,361 OH. I CAN'T SEE THIS NOW? 415 00:26:10,361 --> 00:26:11,904 OH, REALLY? OK. 416 00:26:15,115 --> 00:26:17,410 UH, I LIKE IT. 417 00:26:17,410 --> 00:26:20,329 IT WILL BE GOOD ONCE YOU GIVE ME A FACE. 418 00:26:22,706 --> 00:26:25,709 OH. YOU GOT--YOU GOT CHARCOAL RIGHT-- 419 00:26:37,096 --> 00:26:40,640 WHY ARE YOU BEING SO NICE TO ME? 420 00:26:40,640 --> 00:26:42,435 I LIKE YOU, EMMA. 421 00:26:49,691 --> 00:26:53,946 WHAT? DID--DID I SAY YOU COULD TOUCH ME? 422 00:26:53,946 --> 00:26:55,239 WHAT?! 423 00:26:55,239 --> 00:26:56,282 I DIDN'T SAY YOU COULD TOUCH ME. 424 00:26:56,282 --> 00:26:57,533 WHAT ARE YOU TALKING ABOUT? 425 00:26:57,533 --> 00:26:58,951 YOU TOUCHED ME. 426 00:26:58,951 --> 00:27:00,702 YEAH. I CAN TOUCH YOU, BUT YOU CAN'T TOUCH ME. 427 00:27:00,702 --> 00:27:01,828 YOU UNDERSTAND? 428 00:27:01,828 --> 00:27:03,330 NO. I DON'T UNDERSTAND. 429 00:27:03,330 --> 00:27:05,291 WELL, IT'S--IT'S AN IMPORTANT DISTINCTION. 430 00:27:10,463 --> 00:27:12,506 I'M SORRY. 431 00:27:12,506 --> 00:27:14,674 I--I HAVE TO INITIATE ALL BODILY CONTACT. 432 00:27:14,674 --> 00:27:18,137 I--I--I HAVE A MILD CASE OF HAPHEPHOBIA, 433 00:27:18,137 --> 00:27:20,139 AND YOU NEED TO READ UP ON IT 434 00:27:20,139 --> 00:27:22,891 IF YOU WANT THIS TO WORK. 435 00:27:22,891 --> 00:27:24,226 NO! NO, NO, NO! 436 00:27:24,226 --> 00:27:25,394 NUT JOB! 437 00:27:30,608 --> 00:27:32,109 DID YOU LOCK US IN HERE? 438 00:27:32,109 --> 00:27:34,612 MOTHER DOESN'T WANT TO BE DISTURBED. 439 00:27:34,612 --> 00:27:35,904 I DON'T CARE WHAT MOTHER WANTS. 440 00:27:35,904 --> 00:27:38,282 UNLOCK IT NOW! 441 00:27:38,282 --> 00:27:39,617 I CAN'T. 442 00:27:43,036 --> 00:27:44,955 I'M--I'M SORRY. 443 00:27:47,874 --> 00:27:49,042 I'M SORRY. 444 00:28:09,813 --> 00:28:12,441 I'M SO SORRY. 445 00:28:12,441 --> 00:28:13,942 ME, TOO. 446 00:28:17,613 --> 00:28:18,989 MERCI. 447 00:28:18,989 --> 00:28:20,282 YOU OK? 448 00:28:25,078 --> 00:28:26,205 I'M FINE. 449 00:28:26,205 --> 00:28:28,123 GOOD BECAUSE I WANT TO KILL 450 00:28:28,123 --> 00:28:30,209 RYAN HARDY RIGHT NOW. 451 00:28:30,209 --> 00:28:31,418 WELL, WHERE IS HE? 452 00:28:31,418 --> 00:28:33,128 HE WENT THAT WAY. HE'S BLEEDING. 453 00:28:33,128 --> 00:28:35,088 THERE'S A TRAIL OF BLOOD. 454 00:28:35,088 --> 00:28:36,549 COME ON. 455 00:28:40,302 --> 00:28:42,262 WHERE ARE YOU TAKING ME? 456 00:28:45,765 --> 00:28:47,476 IT'S A SURPRISE. 457 00:29:10,457 --> 00:29:12,585 WHAT IS THIS? 458 00:29:12,585 --> 00:29:14,461 IT'S FOR YOU. 459 00:29:14,461 --> 00:29:16,046 I ASSUMED YOU WANT TO GET BACK TO WORK 460 00:29:16,046 --> 00:29:18,716 AS QUICKLY AS POSSIBLE. 461 00:29:18,716 --> 00:29:19,966 HAVE YOU BEEN WRITING? 462 00:29:19,966 --> 00:29:22,636 I WAS IN ARKANSAS. 463 00:29:22,636 --> 00:29:25,639 WELL, I'VE PROVIDED A BIT OF INSPIRATION FOR YOU. 464 00:29:29,101 --> 00:29:30,644 HI, SWEETIE. 465 00:29:33,480 --> 00:29:35,691 THIS IS WENDY PORTER, 466 00:29:35,691 --> 00:29:40,904 AND SHE WAS A SOPHOMORE AT SAN DIEGO TECH. 467 00:29:40,904 --> 00:29:44,283 SHE'S SEDATED. SHE CAN BE NOISY. 468 00:29:46,326 --> 00:29:48,786 JOE, I'M AN ART DEALER. 469 00:29:48,786 --> 00:29:50,830 IT'S MY JOB 470 00:29:50,830 --> 00:29:54,167 TO FOSTER AND NURTURE TALENT, 471 00:29:54,167 --> 00:29:56,044 AND I BELIEVE IN YOU. 472 00:29:56,044 --> 00:29:58,380 I WANT TO GIVE YOU EVERYTHING YOU DESIRE. 473 00:30:11,518 --> 00:30:15,397 AND WHAT DO YOU GET IN RETURN? 474 00:30:15,397 --> 00:30:17,816 I GET TO BE PART OF YOUR GREATNESS. 475 00:30:21,903 --> 00:30:26,158 JUST WHO DO YOU THINK YOU ARE? 476 00:30:26,158 --> 00:30:28,786 WHO DO YOU THINK I AM? 477 00:30:52,685 --> 00:30:54,687 OH. LOOKIE HERE. 478 00:30:59,525 --> 00:31:01,067 WE NEED TO BE SURE. 479 00:31:01,067 --> 00:31:02,319 THEN WE'LL LEAVE HIM TO THE ANIMALS. 480 00:31:02,319 --> 00:31:03,654 THEY CAN EAT HIM, 481 00:31:03,654 --> 00:31:05,364 AND WE'LL BE GONE. 482 00:31:48,657 --> 00:31:50,826 [DOOR OPENING AND CLOSING] 483 00:31:53,995 --> 00:31:57,791 Woman: BILLY, IS THAT YOU? 484 00:31:57,791 --> 00:31:59,376 BILLY? 485 00:32:07,384 --> 00:32:09,135 WHO'S THERE? 486 00:32:13,139 --> 00:32:14,266 STOP! 487 00:32:14,266 --> 00:32:15,225 AAH! 488 00:32:15,225 --> 00:32:16,935 DON'T MOVE! 489 00:32:16,935 --> 00:32:20,146 DON'T TURN AROUND, OK? 490 00:32:20,146 --> 00:32:21,690 YOU UNDERSTAND? 491 00:32:21,690 --> 00:32:23,567 ALL RIGHT. BACK UP. 492 00:32:26,111 --> 00:32:28,280 HERE. TIE THIS SCARF AROUND YOUR EYES. 493 00:32:28,280 --> 00:32:30,282 NO. PLEASE. 494 00:32:30,282 --> 00:32:31,949 WHAT IS YOUR NAME? 495 00:32:31,949 --> 00:32:34,286 BELLA. 496 00:32:34,286 --> 00:32:36,830 I THOUGHT THIS PLACE WAS EMPTY, BELLA. 497 00:32:36,830 --> 00:32:40,208 I JUST NEED TO PATCH MYSELF UP, OK? 498 00:32:40,208 --> 00:32:41,752 MM-HMM. 499 00:32:43,629 --> 00:32:44,963 WHERE'S YOUR HUSBAND? 500 00:32:44,963 --> 00:32:47,048 BILLY'S GONNA BE HOME SOON ANY MINUTE. 501 00:32:47,048 --> 00:32:50,844 THEN YOU DO AS I SAY AS QUICKLY AS POSSIBLE, 502 00:32:50,844 --> 00:32:52,262 AND I WON'T HURT YOU. 503 00:32:52,262 --> 00:32:53,555 WHATEVER YOU WANT, TAKE IT. 504 00:32:53,555 --> 00:32:55,014 I HAVE CASH! 505 00:32:55,014 --> 00:32:58,727 TIE THIS SCARF AROUND YOUR EYES. 506 00:32:58,727 --> 00:33:00,145 TRUST ME. 507 00:33:00,145 --> 00:33:01,855 EVERYTHING'S GONNA BE OK, 508 00:33:01,855 --> 00:33:05,943 BUT YOU CANNOT LOOK AT ME. 509 00:33:05,943 --> 00:33:07,068 DO YOU UNDERSTAND ME? 510 00:33:07,068 --> 00:33:08,695 I UNDERSTAND. 511 00:33:08,695 --> 00:33:12,574 IF I SEE YOU, I CAN IDENTIFY YOU. 512 00:33:12,574 --> 00:33:14,827 YES. 513 00:33:14,827 --> 00:33:16,745 AND THEN YOU'LL HAVE TO KILL ME. 514 00:33:28,131 --> 00:33:32,970 WAS MY PROPOSITION REALLY SO UNAPPEALING? 515 00:33:32,970 --> 00:33:35,681 I ONLY WANT WHAT YOU WANT. 516 00:33:38,391 --> 00:33:42,061 I WILL NOT BE CONTROLLED 517 00:33:42,061 --> 00:33:44,397 BY ANYONE. 518 00:33:44,397 --> 00:33:47,734 I DON'T WANT TO CONTROL YOU. 519 00:33:47,734 --> 00:33:50,153 I WOULDN'T WANT YOU IF I COULD. 520 00:34:01,665 --> 00:34:04,209 WHAT ARE YOU DOING? 521 00:34:04,209 --> 00:34:06,879 WHAT DO I SMELL? IS THAT BLEACH? 522 00:34:06,879 --> 00:34:09,422 I GOT TO CLEAN UP. 523 00:34:09,422 --> 00:34:12,091 I'M GONNA MAKE YOU AS COMFORTABLE AS POSSIBLE. 524 00:34:12,091 --> 00:34:13,802 WHEN YOUR HUSBAND GETS HERE, 525 00:34:13,802 --> 00:34:15,303 HE CAN RELEASE YOU. 526 00:34:15,303 --> 00:34:17,472 DON'T LIE TO ME. 527 00:34:17,472 --> 00:34:18,724 PLEASE. THIS IS NOT ABOUT YOU, BELLA. 528 00:34:18,724 --> 00:34:21,100 YOU CAME INTO MY HOME. 529 00:34:21,100 --> 00:34:23,269 YOU MADE IT ABOUT ME. 530 00:34:32,445 --> 00:34:35,156 IT IS THE ONLY HOUSE. 531 00:34:35,156 --> 00:34:36,950 I'LL GO AROUND THE FRONT. 532 00:34:36,950 --> 00:34:38,117 ALL RIGHT. 533 00:34:51,715 --> 00:34:53,341 COME WITH ME, COME WITH ME. 534 00:34:53,341 --> 00:34:54,342 WHAT ARE WE DOING? 535 00:34:54,342 --> 00:34:56,762 SHH, SHH, SHH. 536 00:34:56,762 --> 00:34:58,179 YOU PROMISED. 537 00:34:58,179 --> 00:35:01,140 THE PEOPLE THAT SHOT ME ARE HERE. 538 00:35:01,140 --> 00:35:02,642 YOU'VE GOT TO STAY QUIET. 539 00:35:02,642 --> 00:35:04,352 OH, GOD. NO, NO. 540 00:35:04,352 --> 00:35:08,147 PLEASE. NOT A SOUND. 541 00:35:37,552 --> 00:35:40,472 WHERE IS SHE? WHERE IS MAX? 542 00:35:40,472 --> 00:35:43,516 DEAD. I KILLED HER. 543 00:35:55,028 --> 00:35:56,696 UNH! 544 00:35:56,696 --> 00:35:57,864 AIGH! 545 00:36:29,604 --> 00:36:31,606 NO. NO, NO, NO, NO! 546 00:36:31,606 --> 00:36:34,359 OH, NO! COME ON! 547 00:36:34,359 --> 00:36:36,069 NO! COME ON! 548 00:36:36,069 --> 00:36:39,823 COME ON! NO! 549 00:36:39,823 --> 00:36:42,909 PLEASE. DON'T LEAVE ME. 550 00:37:10,311 --> 00:37:12,230 HEY, WENDY. 551 00:37:12,230 --> 00:37:13,481 HIIII. 552 00:37:13,481 --> 00:37:14,858 HMM. 553 00:37:30,040 --> 00:37:32,500 OH. 554 00:37:32,500 --> 00:37:35,045 TCHAIKOVSKY. 555 00:37:35,045 --> 00:37:37,923 IT'S PERFECT. HEH. 556 00:37:46,973 --> 00:37:47,974 SHH, SHH, SHH. 557 00:37:47,974 --> 00:37:51,686 KEEP...LOOKING. 558 00:37:51,686 --> 00:37:53,772 BE VERY STILL NOW. 559 00:37:57,567 --> 00:38:00,112 MIKE, ABOUT THAT ARKANSAS CASE. 560 00:38:00,112 --> 00:38:01,654 Lawrence: THE SUSPECT-- REVEREND GLEN DAVIS-- 561 00:38:01,654 --> 00:38:03,448 HIS CAR TURNED UP AT A GAS STATION 562 00:38:03,448 --> 00:38:04,866 NEAR THE TENNESSEE BORDER. 563 00:38:04,866 --> 00:38:06,034 YEAH? 564 00:38:06,034 --> 00:38:07,660 LOCAL POLICE PULLED A PHOTO 565 00:38:07,660 --> 00:38:09,328 FROM SURVEILLANCE FOOTAGE. 566 00:38:11,164 --> 00:38:12,540 SO WHO WAS IN THE CAR? 567 00:38:12,540 --> 00:38:13,666 A MAN AND A GIRL. 568 00:38:13,666 --> 00:38:14,876 NOW THE GIRL'S BEEN IDENTIFIED 569 00:38:14,876 --> 00:38:16,253 AS THE VICTIM'S DAUGHTER. 570 00:38:16,253 --> 00:38:17,503 BUT HERE'S THE WEIRD PART. 571 00:38:17,503 --> 00:38:18,630 THE REVEREND DAVIS' WIFE SAID THE MAN 572 00:38:18,630 --> 00:38:20,132 WASN'T HER HUSBAND. 573 00:38:20,132 --> 00:38:21,549 Lawrence: SHE SAYS IT'S THE VICTIM'S BROTHER, 574 00:38:21,549 --> 00:38:22,675 A WAR VET. 575 00:38:22,675 --> 00:38:23,760 ACCORDING TO RECORDS, THE VICTIM 576 00:38:23,760 --> 00:38:25,095 DIDN'T HAVE A BROTHER. 577 00:38:25,095 --> 00:38:27,889 DO WE HAVE IMAGES OF THE MAN AND THE GIRL? 578 00:38:35,897 --> 00:38:38,108 DO YOU THINK THIS IS RELATED TO LILY GRAY? 579 00:38:38,108 --> 00:38:41,527 I DON'T KNOW. THANKS. 580 00:39:04,592 --> 00:39:07,304 The Flaming Lips: ♪ ALWAYS THERE ♪ 581 00:39:07,304 --> 00:39:10,348 ♪ IN OUR HEARTS ♪ 582 00:39:10,348 --> 00:39:16,646 ♪ NEVER MOVING, STANDING ♪ 583 00:39:16,646 --> 00:39:19,816 ♪ ALWAYS THERE ♪ 584 00:39:19,816 --> 00:39:23,069 ♪ IN OUR HEARTS ♪ 585 00:39:23,069 --> 00:39:24,696 ♪ SOMETHING PURE ♪ 586 00:39:24,696 --> 00:39:28,033 ♪ THAT WE CAN'T CONTROL ♪ 587 00:39:28,033 --> 00:39:29,034 1, 2, 3, 4. 588 00:39:29,034 --> 00:39:31,119 ♪ CAN'T CONTROL ♪ 589 00:39:31,119 --> 00:39:32,495 1, 2, 3, 4. 590 00:39:32,495 --> 00:39:34,331 ♪ CAN'T CONTROL ♪ 591 00:39:34,331 --> 00:39:35,748 1, 2, 3, 4. 592 00:39:35,748 --> 00:39:37,583 ♪ CAN'T CONTROL ♪ 593 00:39:37,583 --> 00:39:39,961 1, 2, 3, 4. 594 00:39:41,796 --> 00:39:43,798 1, 2, 3, 4. 595 00:39:43,798 --> 00:39:45,466 1, 2, 3, 4. 596 00:39:45,466 --> 00:39:46,926 1, 2, 3, 4. 597 00:39:46,926 --> 00:39:48,386 1, 2, 3, 4. 598 00:39:48,386 --> 00:39:50,096 1, 2, 3, 4. 599 00:39:50,096 --> 00:39:51,723 1, 2, 3, 4. 600 00:39:51,723 --> 00:39:53,225 1, 2, 3, 4. 601 00:39:53,225 --> 00:39:54,684 1, 2, 3, 4. 602 00:39:54,684 --> 00:39:56,561 1, 2, 3, 4. 603 00:39:56,561 --> 00:39:58,104 1, 2, 3, 4. 604 00:39:58,104 --> 00:39:59,356 1, 2, 3, 4. 605 00:39:59,356 --> 00:40:01,149 1, 2, 3, 4. 606 00:40:01,149 --> 00:40:02,734 1, 2, 3, 4. 607 00:40:02,734 --> 00:40:04,194 1, 2, 3, 4. 608 00:40:04,194 --> 00:40:05,820 1, 2, 3, 4. 609 00:40:05,820 --> 00:40:07,239 1, 2, 3, 4. 610 00:40:07,239 --> 00:40:09,199 1, 2, 3, 4. 611 00:40:26,216 --> 00:40:29,635 ♪ ALWAYS THERE ♪ 612 00:40:29,635 --> 00:40:32,638 ♪ IN OUR HEARTS ♪ 613 00:40:32,638 --> 00:40:35,308 ♪ DREAM OF OUR WORLD ♪ 614 00:40:35,308 --> 00:40:38,728 ♪ ONE OF US ♪ 615 00:40:38,728 --> 00:40:41,689 ♪ ALWAYS THERE ♪ 616 00:40:41,689 --> 00:40:45,068 ♪ IN OUR HEARTS ♪ 617 00:40:45,068 --> 00:40:51,199 ♪ JOY AND PROGRESS OVERWHELMED ♪ 618 00:40:51,199 --> 00:40:54,244 ♪ OVERWHELMED ♪ 619 00:40:54,244 --> 00:40:57,538 ♪ OVERWHELMED ♪ 620 00:40:57,538 --> 00:41:00,792 ♪ OVERWHELMED ♪ 621 00:41:00,792 --> 00:41:03,920 ♪ OVERWHELMED ♪ 622 00:41:03,920 --> 00:41:10,427 ♪ OVERWHELMED ♪ 623 00:41:18,726 --> 00:41:21,687 WHERE HAVE YOU BEEN? 624 00:41:21,687 --> 00:41:22,939 WHERE'S YOUR CELL PHONE? 625 00:41:22,939 --> 00:41:24,899 I CALLED AND CALLED. 626 00:41:32,282 --> 00:41:33,783 RYAN? 627 00:41:35,410 --> 00:41:36,702 RYAN?